In Frank Conroy's Body and Soul, a novel set in the 1940's that describes the mental and professional growth of a musical prodigy named Claude, the boy protagonist draws these "life lessons" from the films he viewed.
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| In a similar way, speaking in the voice of an American 12 year old viewing Gunga Din 1939, students in the Wednesday section drew the following "life lessons" from Gunga Din: | |
| Friends stand by friends. | There's a big world out there beyond my own and, whatever their race, humans want similar things the world over. |
| Good triumphs over evil. | We have to look out for one another. |
| War inevitably exists. Humans are greedy, and their greed causes them trouble. Humans survive when they stand by their friends. | Taking sides is inevitable. In the human heart, there is no neutrality. The English are good. |
| Heroes emerge from unexpected places. You can be one. | Life is valor. Different as they are, the British and the Indians honor brave hearts and duty. |
| Indian soldiers and white soldiers feel similar allegiance to their countries. | Honor your country. |
| After friendship, self-sacrifice is the highest good. | One brave act can save millions. |
| To fight and die for something you strongly believe in is honorable, even if no one else believes in you. | In danger, act. |
| There is a lot more happening out there in the world than I ever heard of. | Britain upholds the right. It's okay to let a slave die for his cause because death will make him honorable. [In other words, this film teaches bias.] |
| You have to fight to preserve what's right. | A good man puts the safety of his country before his own happiness. |
| It's their strong will and good heart, not their race, that makes a person a good human being. | Stand by your friends. Stand up for your beliefs. |
| The world is a frightening and complicated place. | Evil abounds in the world. |
| Friendship is more important than love. | |
The "life lessons" of your imaginary 12 year olds converge, with two exceptions. But where do your convergent ideas begin? How does a film maker--a George Stevens, for instance--inveigle from darkness a communal dream? We'll jump into the film and answer those questions next time. Stay tuned. |
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